Edition of 300 copies. Gold foil printed sleeve. Includes 12-page booklet and two leporello inserts printed on translucent paper. On the centenary of the birth of Luigi Nono, the Maurice Quartet -- Georgia Privitera (violin), Laura Bertolino (violin), Francesco Vernero (viola), and Aline Privitera (cello) -- reinterprets the composition for string quartet by the Venetian composer: Fragmente: Stille, An Diotima, dedicated to LaSalle Quartet on the occasion of the thirtieth Beethovenfest in Bonn, in 1980. The driving force of inspiration must have been Beethoven, understood as a radical innovator of the conventions of his time. This same definition was attributed to Nono after composing this work, so much so that the critics of the time spoke of the "turning point work." An extreme chamber music work, at the same time private and political, which Nono himself summarized as follows: "I have not changed at all. Even tenderness, the private has its collective, political side. Therefore my String Quartet is not the expression of a new retrospective line in me, but rather my current position of experimentation: I want the great, rebellious affirmation with the minimum means." The edition includes a set of evocative photographs of the Giudecca in Venice -- which follow the aesthetics of the fragment -- realized by Sophie-Anne Herin and a precious musicological contribution by Francesca Scigliuzzo. The Maurice Quartet -- active for more than twenty years in the field of experimentation between contemporary music, electronics and multimedia -- joins the numerous homages that the world of music pays to Nono one hundred years after his birth with a recording work of great philological and interpretative relevance, aimed at capturing the most intimate and feverish side of one of the most significant composers of the last century.
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