The second About Group recording for Treader, this time replacing Charles Hayward with Rupert Clervaux. His elegant drumming takes the group into new territories which together with Coxon's simple and insistent guitar themes forms a regular backbone for four extended group compositions containing a surprising collision of sounds and influences. Pat Thomas, with his background in free jazz and improv, and Susumu Mukai, more commonly heard in the company of Floating Points, make strange bedfellows with Alexis Taylor's mooger-foogered rhodes, but somehow it all crystallizes perfectly. The clearest precedent for this engaging recording is Ege Bamyasi-era Can, but really it occupies a position of its own.
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