On To The Mother of Gods, Aggelos Baltas reinterprets eight compositions from local musician Seirios Savvaidis, dissolving traditional recordings and folk lyricism into a Golden Pudel-approved percussive storm, where polyrhythms envelop soaring chants and basslines repeat and swirl. Baltas steers the listener through Athenian past and present, seeking a future sound as wind-kissed and mystical as his country's oldest yet lifted by the swell of dance floor dynamics
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