Barnt teaches us how to exquisitely capture the full yin and yang of the sublime and the lunatic on Ariola. Barnt's style remains a palpable paradox now even more refined. "Tunsten," "Stac" and "Ariola" are marvelously aloof though totally unashamed to exalt the wonderful impertinence of the rave-ritual's key stimuli. Here he practices his vicious dancefloor trickery, provoking precise physical reactions by clearly calculating frequencies which stimulate dance. At the same time all of this is super loony, theatrical, and delicately decadent.
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