A double 10" vinyl set produced and compiled by Florian Hecker with a contribution by CARSTEN HOLLER. The title indicates the percental inputs of the eight pieces, intertwines practical, theoretical and conceptual proportions and its audible dramatizations. 6/8 of the pieces are untitled, 2/8 and are titled 'Gelbgrun' and 'UpDown', 8/8 play on 45 RPM. For further information also see: Arnheim, Rudolf and Grundham, Uta. 2001. The Intelligence of Vision: An Interview with Rudolf Arnheim. In Cabinet 2: 95-100. Bregman, Albert S. and McAdams, Stephen. 1979. Hearing Musical Streams. In Computer Music Journal 3, no. 4 (December): 26–43. Cambridge, Massachusetts: MIT Press. Bregman, Albert S. 1994. Auditory Scene Analysis. Cambridge, Massachusetts: MIT Press. Deutsch, Diana. 1974. An Auditory Illusion. In Journal of the Acoustical Society of America 55: 18- 19. 1986. An Auditory Paradox. In Journal of the Acoustic Society of America 80: 93. Gibson, James J. 1966. The senses considered as perceptual systems. Boston: Houghton Mifflin. Kubovy, Michael and van Valkenburg, David. 2004. From Gibson's Fire to Gestalts. In: Neuhoff, (ed.) Ecological Psychoacoustics. London: Elsevier Academic Press, p 114. Mackay, Robin. 2010. These Broken Impressions. In Gaensheimer, Susanne (ed.) Florian Hecker. Event, Stream, Object. Cologne: Verlag der Buchhandlung Walther Konig: 11-12. Moore, Brian C. J.. 1977. Introduction to the Psychology of Hearing. Cambridge: University Press Cambridge. Roitmeister, Carl and Schneider, Eckhard. 2008. Carsten Holler: Carrousel. Cologne: Verlag der Buchhandlung Walther Konig
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