DROKK was written in a six month period between Barrow's Portishead world tour and Salisbury's composing jobs for the BBC. Even though it is a sound-track of sorts, Barrow and Salisbury instinctively felt that music for MC1 should steer clear of the rich orchestration common to many contemporary film scores. Even for electronica the music is often purposefully stark and spare, with the majority of tracks created exclusively on the Oberhiem 2 Voice Synthe-sizer (a 1975 classic keyboard), and its onboard sequencer used to create rhythm and drums sounds. The only exceptions are a handful of tracks which combine the synth with digitally manipulated and time-stretched performances of acoustic instruments (such as piano, violin, mandolin, ukelele, voice and hammered dulcimer). spec ltd edition cd.
You might also be interested in...
© 2021 bentcrayonrecords.com, llc.