Stroboscopic Artefacts boss Luca Mortellaro, aka Lucy, returns with Dyscamupia, a multisensory techno triptych revolving around the sequence of Albert Camus's The Stranger (1942), namely the infamous "killing of the Arab". "Dyscamupia (Forward)" happens before and right until the actual killing -- hence time flowing at a metronomic, heartbeat-like tempo; the second cut "Dyscamupia (Pause)" takes place right after the nameless man's death, when the narrator enters a kind of existential "pause"; the third sequence, "Dyscamupia (Backward)", plumbs the depths of the action itself as played backwards, like an equally hazed-out and dizzying reminiscence of the sad encounter's mechanism.
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