The new ornamental Atavisme explores the rebirth of Pepe Bradock. After the dirty baby incident and numerous and consuming time-traveling trips; deciphering the precious lines of medieval sequencing -- they can't be read with numbers; "Trsors" and "Tsundoku" are a sudden return to approximate and abstract dancing containers, with or without filters, but often on the edge of the nerve-wracking Pepe-exit for obvious reasons. It is an evocation of a spiritual ballroom haunted with unmatched awkwardness and a healthy dose of invisible whirling mascarons. Would you kiss an ox for the sake of peace of mind?
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