Following the legendary first two, stoically super-minimal records, Profan presents Fremde Hände. The A-side contains a tonally noncommittal sequence ambling across the keyboard in quantized form, reminiscent of the arpeggiator (accompaniment function) function of early '70s and '80s synthesizers. On the B-side, daring and thoroughly unquantized quaver rhythms rock around a bass drum that, as the only straight element, tries to keep the whole thing together. The result sounds a little like a delirious Can live.
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