using field recordings, obscure samples, & fm synthesis, epiro draws his abstract
landscapes as a series of overexposed & imprecise pictures made by concrete & organic
architectures, amorphous rhythmic patterns, & repetitive sequences.
with 'no home of the mind', the ensemble has been streamlined to a five-person unit,
exploring the piano’s percussive qualities alongside running woodwinds, warbling tape
delays and splattered upright bass lines that stare out with a wide-eyed transcendence,
taking so-called “classical” music to new limits.