Elastic guitar lines, woodblock percussion, and flutes which drive the song are enveloped by one of the strongest vocal deliveries by the bands enigmatic singers, resulting in a powerful and catchy psych-pop number. The B side, an instrumental called “The Snake of Addis Ababa,” is a looping, North-African mantra played on a teasing, fuzzed guitar, underpinned by a djembi groove. The repetitive riff is disrupted by piano that freely solos over the groove, and a pounding drum lifts the song to a seriously head-nodding conclusion.
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