Amplifying Host finds Richard Youngs wandering the guitar desert somewhere between Ry Cooder's Paris, Texas score and Neil Young's work on Dead Man. Yet, the randomly determined chord movements and Youngs' stretched-out vocal passes across the record are, perhaps, more akin to Jandek's Six And Six — here, removed from its gauze and dipped in a dark gold. When Youngs bends strings in this anglo-americana vision, it's like he's bending spoons.