Composer, musician, visual artist, and performer, Charlemagne Palestine is a legendary figure in the New York underground scene. At the piano or on his electronic oscillators, this outsider of skillful music experiments with the principles of resonance and repetition in a quest for the "golden sound": the ultimate harmonic vibration. Based in Brussels for 20 years now, his iconic work consisting of teddy bears, divinities, and other enchanting encounters is exhibited in BOZAR (AA SSCHMMETTRROOSSPPECCTIVVE, May 18-August 26, 2018). For the occasion, Charlemagne Palestine also presents two exceptional musical performances at the Kunstenfestivaldesarts. Published on the occasion of Charlemagne's AA-SSCHMMETTRROOSSPPECCTIVVE exhibition, audioMER. present historical piano recordings dating from circa 1974. They were played on a Bösendorfer model 220, regarded as the "Rolls Royce" of pianos, at Charlemagne's 64 North Moore Street studio, Tribeca in New York. The music here represents Charlemagne's infamous "strumming" technique.
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