The Detroit legend returns to Dekmantel to deliver the final installment in a trilogy of EP releases that initially began back in February 2016. Now based in Alabama, the Detroit-techno producer is returning to his roots -- this is classic Robert Hood, operating in new, and uncharted ways. Kicking off with "Red Machine", where again parallels can be drawn between the days of Minimal Nation, and Internal Empire, the sound is sparse and brutal, representing a challenged future. The B side "Transform" provides a composition of stripped, down electro, while taking in the 606 style, and adding additional, textural depth.
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