The industrial project of Oliver Ho and Tommy Gillard at its most subversive and evocative, with two preoccupations threaded throughout: Middle-Eastern percussion, most vivid in the chimes of 'Casting' and the driving doumbek rhythms of 'Burning' and 'The Sands'; and the structural iteration of chaos, underlying a collage of wild left-turns, scornful of repetitive hooks and other musical routines. Early birds bag a 7" by Ho's 'Desert Burials', evoking classic punk/funk hybrids like Cabaret Voltaire
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